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PRACTICAL Color Correction

Contents

  1. Tutorial - How2 Read the Scopes
  2. Tutorial - How2 Correct Color Balance
  3. Tutorial - How2 Correct Mixed Color Balance
  4. Tutorial - How2 Correct Changing Color Balance and Levels
  5. Advice - What affect does Color have on Mood?
  6. Advice - What are other ways to correct color in Final Cut Pro?
  7. Advice - What are the processes for Color Correction?
  8. Advice - When to Correct Video Levels
  9. Advice - Why adjust color from "standard"?
  10. Advice - Why adjust the tonal range for creative purposes?
  11. Advice - Why "correct" good images?
  12. Advice - Why use Color Bars to Manage Quality?
  13. Advice - Why use Color Correction?
  14. Advice - Why use multiple layers and composite modes to combine layers during color correction?
  15. Technique - How2 Accomodate Legal Colors
  16. Technique - How2 Adjust Color for Creative Purposes
  17. Technique - How2 Analyze Video
  18. Technique - How2 Calibrate Video Scopes to a Camera's Color Bars
  19. Technique - How2 Calibrate Your Monitor Using Color Bars
  20. Technique - How2 Change Day into Night
  21. Technique - How2 Change the mood of an exterior from stormy to sunny with multiple layers and composite modes
  22. Technique - How2 Choose a Monitor
  23. Technique - How2 Choose a Tool for Color Correction
  24. Technique - How2 Correct a Dark Picture
  25. Technique - How2 Correct an isolated color area
  26. Technique - How2 Correct changing Color Balance
  27. Technique - How2 Correct Changing Color Balance and Levels
  28. Technique - How2 Correct Color Balance
  29. Technique - How2 Correct Color Balance manually
  30. Technique - How2 Correct Color Balance using skin tone
  31. Technique - How2 Correct Color Balance with reference white, black or gray
  32. Technique - How2 Correct Exposure when there are Bright & Dark parts to the image
  33. Technique - How2 Correct for Overexposure
  34. Technique - How2 Correct for Phase Shift
  35. Technique - How2 Correct Mixed Color Balance
  36. Technique - How2 Correct Mixed Daylight and Artificial light
  37. Technique - How2 Create Masks for multiple color areas for sophisticated secondary color correction
  38. Technique - How2 Fine-tune the Tonal balance
  39. Technique - How2 Improve detail in the Highlights
  40. Technique - How2 Improve detail in the Shadows
  41. Technique - How2 Improve the Allocation of Luminance Values
  42. Technique - How2 Locate pixels over 100 IRE
  43. Technique - How2 Make images more dynamic
  44. Technique - How2 Match color from shot to shot
  45. Technique - How2 Read the Histogram
  46. Technique - How2 Read the RGB Parade
  47. Technique - How2 Read the Scopes
  48. Technique - How2 Read the Vectorscope
  49. Technique - How2 Read the Vectorscope - Example Images
  50. Technique - How2 Read the Waveform Monitor
  51. Technique - How2 Read the Waveform Monitor - Example Images
  52. Technique - How2 Reduce Noise in Images
  53. Technique - How2 Rescue severe Overexposure
  54. Technique - How2 Rescue severe Underexposure
  55. Technique - How2 Reuse Color Correction
  56. Technique - How2 Select part of the image for Secondary Color Correction
  57. Technique - How2 Set correct White Balance
  58. Technique - How2 Set Extra Keyframes
  59. Technique - How2 Set First Keyframe
  60. Technique - How2 Set Keyframe Interpolation
  61. Technique - How2 Use Color Bars when Shooting
  62. Technique - How2 Use Multiple Layers and composite modes to improve a garden shot
  63. Technique - How2 Use Multiple Layers and composite modes to improve an exterior
  64. Technique - How2 Use Range Check and Waveform Monitor to determine video levels
  65. Technique - How2 Use the Waveform Monitor and Vectorscope to Monitor Video Levels during Shooting
  66. Technique - How2 View Color for Color Correction
  67. Task - How2 Apply the Broadcast Levels Filter
  68. Task - How2 Calibrate Input with Bars & Tone
  69. Task - How2 Display the Video Scopes
  70. Task - How2 Manually correct Color Group
  71. Task - How2 Monitor Video Levels in Canvas and Viewer
  72. About - Analog
  73. About - Chroma Key (Color Key)
  74. About - Colorspaces
  75. About - Composite Mode
  76. About - Gamma
  77. About - Keyframes
  78. About - Masking
  79. About - Matting
  80. About - Primary and Secondary Color Correction
  81. About - SuperBlack
PRACTICAL Color Correction













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